Sans Superellipse Yoza 7 is a very bold, very wide, medium contrast, upright, tall x-height font visually similar to 'Mega' by Blaze Type, 'Rhode' by Font Bureau, 'Muller Next' by Fontfabric, 'PODIUM Sharp' by Machalski, and 'Bagor' by Trustha (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, playful, chunky, retro, friendly, punchy, impact, friendliness, retro feel, display clarity, geometric unity, rounded, soft corners, blocky, geometric, compact counters.
This font is a heavy, wide sans with rounded-rectangle construction throughout. Strokes are uniform and solid, with softened corners and blunt terminals that keep the silhouettes smooth and compact. Counters tend to be small and tightly enclosed (notably in B, O, P, R and the lowercase), while openings in forms like C and S are kept relatively narrow, reinforcing a dense, poster-like color on the page. The lowercase is strongly built and highly legible at display sizes, with single-storey shapes and sturdy joins; dots and punctuation-like details appear as rounded blocks rather than delicate marks. Numerals follow the same blocky, superelliptical logic, maintaining consistent weight and width for a cohesive, sign-ready rhythm.
This typeface is best suited to headlines, posters, packaging, and branding that need high-impact readability and a friendly, retro-leaning voice. It also works well for signage and short UI/label moments where bold, rounded forms help maintain clarity and character, especially at large sizes.
The overall tone is bold and approachable, combining a cartoonish friendliness with a confident, attention-grabbing presence. Its rounded geometry and compact apertures evoke a retro display sensibility—more fun and punch than neutral modernism—making the text feel energetic and assertive without becoming sharp or aggressive.
The design appears intended to deliver maximum visual presence with a soft, geometric personality. By combining wide proportions, rounded-rectangle anatomy, and compact internal spaces, it aims for a distinctive display texture that stays cohesive across uppercase, lowercase, and figures.
Spacing and letterfit appear intentionally tight for impact, producing a strong, continuous texture in text lines. Diagonals (A, V, W, X, Y, Z) are thick and stable, and the design favors broad horizontal mass, which amplifies visual weight in headlines and short phrases.