Sans Normal Jinud 1 is a bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Helonik Extended' by Ckhans Fonts, 'CF Mod Grotesk' by Fonts.GR, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Belle Sans' by Park Street Studio, 'NeoGram' by The Northern Block, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, logotypes, modern, confident, friendly, clean, direct, display impact, modern branding, high clarity, friendly geometry, rounded, geometric, open apertures, large counters, soft joins.
This typeface is a wide, bold sans with predominantly geometric construction and generously rounded curves. Letterforms show broad proportions, large internal counters, and open apertures that keep shapes legible at display sizes. Strokes are consistently heavy with subtle modulation, and terminals are mostly clean and squared-off, giving a crisp edge to otherwise rounded forms. The lowercase has a straightforward, contemporary skeleton with a single-storey a and g, compact shoulders, and clear, uncluttered joins; numerals follow the same wide, sturdy rhythm with prominent bowls and stable baselines.
It performs best in headlines and short-to-medium display copy where its width and weight can create strong presence and an inviting tone. The open forms and large counters also make it suitable for signage, branding systems, and logotype work that benefits from a bold, contemporary sans.
The overall tone is modern and approachable, projecting confidence without feeling aggressive. Its rounded geometry and ample spacing create a friendly, accessible voice suited to contemporary branding and interface-forward design.
The design appears intended to deliver a strong, contemporary sans voice with generous proportions and friendly geometry, prioritizing impact and clarity in display settings. Its consistent stroke weight and simplified lowercase forms suggest a focus on clean reproduction across modern graphic applications.
Round letters (C, O, Q) read as near-circular and spacious, while diagonal forms (V, W, X, Y) are broad and sturdy, reinforcing the typeface’s expansive footprint. The sample text shows an even color and steady rhythm across long lines, with punctuation and dots appearing bold and highly visible.