Sans Superellipse Myfa 3 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Pocky Block' by Arterfak Project, 'Shtozer' by Pepper Type, and 'Motte' by TypeClassHeroes (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, industrial, sporty, poster, retro, assertive, space saving, high impact, modern signage, brand presence, geometric simplicity, blocky, condensed, rounded corners, closed apertures.
A compact, heavy sans built from rounded-rectangle anatomy and softened corners. Strokes are consistently thick with minimal modulation, and counters are small and vertically oriented, giving the face a dense, compressed rhythm. Terminals are blunt and squared-off, with many joins forming tight, boxy interiors; curves read more like superelliptical rounds than true circles. The overall silhouette favors tall, narrow proportions and a strong, even color in text lines.
Well suited to headlines, posters, and bold branding where a condensed, high-impact voice is needed. It also works for packaging and signage that benefits from sturdy letterforms and consistent, industrial geometry. For extended text, it performs best in short bursts—titles, pull quotes, and labels—where its dense color remains legible.
The font projects a tough, no-nonsense tone with a slightly retro, signage-like flavor. Its tight spacing and blocky forms feel athletic and industrial, prioritizing punch and immediacy over delicacy. The rounded corners keep it from feeling harsh, adding a friendly, engineered smoothness.
Likely designed to deliver maximum impact in a narrow footprint, combining rounded-rectangle geometry with heavy strokes for a modern, engineered feel. The consistent construction and tight counters suggest an emphasis on strong reproduction in display contexts and space-efficient typography.
Uppercase forms appear especially compact with restrained apertures, while lowercase keeps a straightforward, utilitarian construction. Numerals match the same condensed, squared-and-rounded logic, maintaining strong consistency for labeling and display. In longer samples the texture is dark and attention-grabbing, so the font reads best when allowed generous size and breathing room.