Sans Normal Nabub 3 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Gimbal Grotesque' by AVP, 'Delargo DT' by DTP Types, 'EquipExtended' by Hoftype, and 'Morandi' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, playful, chunky, friendly, retro, casual, impact, approachability, playfulness, display, rounded, blunt, soft-cornered, bouncy, heavyweight.
A heavy, rounded sans with blunt terminals and broad, compact counters that keep the silhouettes dense and punchy. Curves are smooth and circular, while straight strokes stay thick and even, producing a sturdy, poster-like rhythm. Many glyphs show subtle, irregular shaping and slight tilt or wobble in stroke edges and joints, giving the set a hand-cut, lively feel rather than strict geometric rigidity. Lowercase forms are simple and robust, with single-storey constructions and strong, blocky joins; numerals are similarly weighty with large, open bowls.
Well-suited to headlines, branding marks, posters, and signage where a bold, friendly presence is needed. It can add character to packaging, kids and entertainment graphics, and short callouts or social-style typographic statements, especially in large sizes where its rounded shapes and playful irregularity come through clearly.
The overall tone is upbeat and informal, with a bouncy, cartoon-leaning friendliness that feels approachable and a bit mischievous. Its chunky shapes and gentle irregularities suggest a retro display sensibility—confident, loud, and designed to be noticed rather than to disappear into body text.
The design appears intended as a high-impact display sans that balances rounded geometry with a deliberately informal, slightly quirky construction. It prioritizes instant legibility and personality—creating a warm, attention-grabbing voice for branding and promotional typography.
Dense interior spaces and heavy joins can create dark spots at small sizes, while the large, rounded silhouettes remain highly recognizable at headline scale. The set reads best when given generous spacing and room to breathe, where the soft corners and lively shaping are most apparent.