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Free for Commercial Use

Serif Other Tezi 1 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'MARLIN' by Komet & Flicker and 'Caligor' by Letterhend (names referenced only for comparison).

Keywords: posters, signage, logos, packaging, headlines, western, vintage, sturdy, industrial, headline, signage feel, vintage display, compact headlines, rugged tone, stamped look, octagonal, wedge serif, beveled, angular, condensed.


Free for commercial use
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A condensed, high-contrast-looking display serif built from sturdy vertical stems and crisp, chamfered corners. The letterforms lean heavily on straight sides and faceted curves, giving bowls (like C, G, O, Q) an octagonal rhythm rather than fully round geometry. Serifs read as compact wedge-like spurs, and terminals frequently finish in clipped, beveled ends that reinforce a carved or stamped feel. The texture is dense and even in mass, with tight internal counters and a strong, poster-friendly silhouette across capitals, lowercase, and figures.

This font is best suited to display sizes: headlines, posters, storefront-style signage, and branding marks where a compact width and strong silhouette help text hold together at distance. It also works well for packaging labels and editorial pull quotes that benefit from a vintage, faceted serif voice.

The overall tone feels Western-tinged and vintage, like lettering meant for signage, labels, or strong typographic marks. Its faceted contours and assertive presence suggest practicality and toughness, with a slightly theatrical, old-time display character rather than a quiet text voice.

The design appears intended to translate the feel of carved, stamped, or cast lettering into a condensed display typeface with strong verticals, clipped corners, and small wedge serifs. Its consistent faceting across curves and terminals suggests a deliberate pursuit of a rugged, historical sign-painting or poster aesthetic while keeping letterforms tightly packed for efficient headlines.

Capitals are tall and commanding with consistent vertical emphasis, while the lowercase keeps similar angular construction and compact counters, maintaining a uniform, workmanlike rhythm in running lines. Numerals follow the same chamfered logic, producing a cohesive set for bold titling and short informational copy where impact matters more than softness.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸