Sans Superellipse Ombaz 5 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Phi Caps' by Cas van de Goor, 'Bal 2024' by Ikioda Design Office, 'Antiquel' by Lemonthe, 'Carounel' by Sensatype Studio, 'Karben 105' and 'Karben 205' by Talbot Type, and 'SAA Series C' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, wayfinding, branding, modern, utilitarian, confident, compact, technical, space saving, strong impact, modern utility, systematic forms, square-rounded, closed apertures, sturdy, condensed, high contrast shapes.
A compact sans with a strong, even stroke and squared-off geometry softened by rounded corners. Curves tend toward superelliptical forms, producing bowl shapes that feel more like rounded rectangles than circles. Proportions are narrow with tight sidebearings, and many counters are relatively small, giving the face a dense, sturdy texture. Terminals are clean and blunt, curves connect smoothly, and the overall rhythm stays consistent across caps, lowercase, and numerals for an efficient, space-conscious look.
Best suited to headlines, posters, packaging, and brand marks where a compact, high-impact sans is useful. It can also work for wayfinding or UI labels when space is limited, especially at medium-to-large sizes where its tight counters remain clear.
The tone is modern and no-nonsense, projecting clarity and confidence through its dense color and compact build. Its rounded-square construction adds a subtle friendliness without becoming casual, keeping the overall impression practical and slightly technical.
The design appears aimed at delivering maximum presence in minimal width: a condensed, sturdy sans that maintains a consistent, rounded-rectilinear motif across the character set. It prioritizes strong silhouettes and efficient spacing for assertive display and functional labeling.
Several glyphs show deliberately reduced apertures and compact interior spaces, which increases impact at larger sizes but can make the texture feel heavy in long paragraphs. Numerals follow the same squared-round logic, reading as solid, blocky figures suited to tight layouts.