Stencil Tise 6 is a very bold, very wide, low contrast, italic, normal x-height font visually similar to 'Bahoda' by 160 Std, 'Manufacturer JNL' by Jeff Levine, and 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, game titles, industrial, military, techno, assertive, sporty, stencil styling, high impact, rugged branding, speed emphasis, industrial labeling, slanted, blocky, angular, geometric, cutout.
A heavy, slanted display face built from chunky geometric forms with large counters and rounded-rectangular curves. Many glyphs feature deliberate cut gaps that act like stencil bridges, often placed through bowls and across horizontal joins, creating a segmented, engineered texture. The overall construction is wide and stable with squared terminals and a forward-leaning rhythm; diagonals are crisp and the spacing feels designed for impact rather than quiet text flow. Numerals and capitals follow the same cutout logic, yielding a consistent, modular silhouette across the set.
Best suited to bold headlines, poster typography, logotypes, and branding where a rugged stencil aesthetic is desired. It also fits sports graphics, gaming/entertainment titles, product marks, and packaging where an industrial or tactical voice helps the message stand out.
The cut-and-bridge detailing and forward slant convey a tactical, industrial energy—confident, mechanized, and a bit aggressive. It reads as modern and utilitarian, with a sporty, high-speed tone that suggests machinery, equipment labeling, or action-oriented branding.
The design appears intended to combine a wide, high-impact display skeleton with unmistakable stencil breaks, producing a robust face that feels engineered and fast-moving. The goal is strong recognizability and a distinctive cutout texture for branding and large-format communication.
The stencil breaks are clean and high-contrast against the black mass, remaining visible even at larger display sizes and giving repeated characters a distinctive "segmented" signature. In dense settings the bridges create an active texture, so the font benefits from generous line spacing and short-to-medium phrase lengths.