Sans Normal Kamaw 24 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Jarvis' by Alan Smithee Studio; 'Afical' by Formatype Foundry; 'Galvani' by Hoftype; 'Neue Frutiger Hebrew', 'Neue Haas Unica', and 'Neue Haas Unica Paneuropean' by Linotype; 'Monto Screen' by Lucas Tillian; and 'Fact' by ParaType (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, sporty, dynamic, confident, modern, energetic, impact, motion, modernity, clarity, display, oblique, rounded, geometric, compact, punchy.
This typeface is a heavy, oblique sans with rounded, geometric construction and smooth, low-modulation strokes. Counters are generally open and clean, with broad curves in letters like C, O, and S and sturdy, simplified joins that keep forms compact. Terminals appear blunt and decisively cut, and the slant is consistent across uppercase, lowercase, and figures, producing a fast rightward rhythm. Overall spacing feels moderately tight for a bold style, supporting strong word shapes at display sizes.
It performs best in short-to-medium display text such as headlines, posters, brand marks, and promotional graphics where a strong, kinetic voice is desired. The oblique stance and heavy strokes make it particularly effective for sports, lifestyle, and product packaging applications that benefit from a sense of momentum and impact.
The font conveys speed and forward motion through its consistent slant and dense, muscular silhouettes. Its rounded geometry keeps the tone friendly rather than aggressive, while the weight and compactness project confidence and impact. The overall impression is contemporary and action-oriented, suited to attention-getting statements.
The design appears intended to deliver a modern, energetic sans that combines geometric roundness with a decisive oblique stance for emphasis. It prioritizes bold presence, quick visual rhythm, and clear silhouettes that remain recognizable in large-scale typography.
Uppercase forms read solid and uniform, while lowercase includes straightforward, single-storey shapes (notably the a) that reinforce a contemporary, streamlined feel. Numerals are similarly weighty and legible, with simple, high-contrast-by-shape (not stroke) forms that hold up well in large, bold settings.