Sans Other Jureh 2 is a regular weight, very narrow, low contrast, upright, normal x-height font visually similar to 'FF Good' by FontFont, 'Frontage Condensed' by Juri Zaech, 'Bessemer' by Sivioco, and 'Goudar HL' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, art deco, vintage, condensed, editorial, space-saving, display impact, stencil effect, signage style, stencil cuts, elongated, geometric, rigid, high-impact.
A tall, tightly condensed sans with monolinear strokes and crisp, squared terminals. Many forms are built from straight-sided verticals with rounded corners, and several letters feature deliberate internal breaks that read like stencil cuts, giving counters a segmented look. Curves are compact and verticalized (notably in C/G/S and the numerals), while joins and apexes remain sharp and controlled. The lowercase follows the same condensed, modular logic, producing an even, upright rhythm with strong vertical emphasis.
Best suited to headlines, posters, labels, and signage where a condensed footprint and strong vertical presence are advantageous. It can also work for branding and packaging that benefits from an industrial or Deco-tinged display tone, while long passages may feel visually dense due to the tight proportions and segmented forms.
The overall tone feels industrial and display-forward, with a subtle Art Deco and signage flavor. The cut-in breaks add a utilitarian, engineered character that can read as vintage-modern, slightly mechanical, and intentionally assertive rather than friendly.
The font appears intended as a space-efficient display sans that remains highly recognizable through simplified geometry and purposeful cut details. Its design balances a clean, modern skeleton with a constructed, stencil-like personality to stand out in titles and short-form messaging.
In text, the narrow set and repeated verticals create a dense texture, while the stencil-like interruptions help distinguish similar shapes and add visual interest at larger sizes. The design’s consistency across caps, lowercase, and figures supports cohesive headline systems where a distinctive, compressed voice is desired.