Sans Superellipse Abmoz 4 is a regular weight, normal width, low contrast, upright, short x-height font visually similar to 'Grenale #2' by insigne (names referenced only for comparison).
Keywords: ui labels, product design, brand systems, signage, dashboards, clean, modern, friendly, neutral, functional, systematic design, clarity, approachability, contemporary tone, versatility, rounded, geometric, soft corners, open apertures, compact.
A geometric sans with subtly squared, superelliptical curves and consistently rounded corners. Strokes are even and steady, with clean terminals and minimal modulation, giving the letters a crisp, engineered feel. Counters tend to be broad and clear (notably in rounded forms), while straight-sided characters keep a tidy, orderly silhouette. The lowercase shows compact proportions with a comparatively small x-height, simple one-storey forms where applicable, and straightforward punctuation and numerals that match the same rounded-rectangle logic.
This font performs well in interface typography, product UI, and operational graphics where clarity and consistency matter. Its rounded geometry also suits contemporary branding, packaging, and signage that benefits from a friendly but controlled sans voice. It can serve as a versatile workhorse for headings and short-to-medium text where a clean, modern texture is desired.
The overall tone is modern and approachable without becoming playful. Its softened geometry reads as calm and user-friendly, while the disciplined construction keeps it professional and system-like. The result feels contemporary and reliable, suited to interfaces and information-forward design.
The design appears intended to blend geometric precision with softened corners, producing a sans that feels modern and usable rather than stark. The superelliptical construction suggests a deliberate system-driven approach aimed at consistent shapes across letters and numerals for cohesive, scalable typography.
Round letters lean toward slightly squarish bowls rather than perfect circles, creating a distinctive rhythm that’s more technical than humanist. Diagonals and joins remain clean and uncluttered, and the figures align well with the letterforms for consistent texture in mixed alphanumeric settings.