Sans Superellipse Otrav 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hinnual', 'Karnchang', and 'Phatthana' by Jipatype; 'Navine' by OneSevenPointFive; and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, branding, posters, ui, signage, techy, industrial, confident, modern, utilitarian, shape branding, tech voice, display impact, geometric consistency, squared, rounded corners, compact, geometric, modular.
This typeface is built from squared, superelliptical shapes with generously rounded corners and a consistent, heavy stroke. Curves tend to resolve into rounded rectangles, producing boxy counters in letters like O, Q, and 0, while joins are clean and engineered rather than calligraphic. Terminals are mostly flat and horizontal/vertical, and diagonals (A, V, W, X, Y, Z) are sharp but controlled, giving the design a crisp, constructed rhythm. Lowercase forms are simple and sturdy, with single-story a and g and compact bowls; figures are similarly boxy, with a squared 0 and a stepped, rectilinear 2 and 3.
It is well-suited to headlines, logos, packaging, and poster work where a strong, engineered presence is desired. The sturdy geometry also fits UI labels, dashboards, and wayfinding or signage applications, especially when the design needs a contemporary, tech-leaning voice.
The overall tone reads modern and technical, with a display-forward solidity that feels at home in interfaces, hardware branding, and sci‑fi or esports aesthetics. Its squared rounding and dense color convey a pragmatic, industrial confidence rather than softness or warmth.
The design appears intended to merge geometric sans readability with a distinctive superelliptical, rounded-rectangle construction, creating a recognizable silhouette across letters and numerals. It prioritizes strong shape identity and consistency for impactful display typography in modern digital and industrial contexts.
The face relies on a consistent corner radius across rounded forms, creating a cohesive “rounded-square” theme from letters through numerals. The shapes stay fairly closed and compact, which emphasizes impact at larger sizes and gives text a firm, blocky texture.