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Free for Commercial Use

Sans Superellipse Gabod 9 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Gibstone' by Eko Bimantara, 'ITC Franklin' by ITC, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Otoiwo Grotesk' by Pepper Type, 'Hype Vol 1' and 'Hype vol 3' by Positype, and 'Nuber Next' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, assertive, modern, energetic, friendly, impact, motion, approachability, modernity, clarity, oblique, rounded, compact, blocky, smooth.


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A heavy oblique sans with rounded, superellipse-like construction and smooth, continuous curves. Strokes are broadly uniform with softened joins and terminals, giving letters a sturdy, inflated silhouette rather than sharp calligraphic edges. Counters are compact and often somewhat closed by the weight, while apertures stay clean enough for quick recognition. The slant is consistent across caps and lowercase, and the figures share the same wide-shouldered, rounded-rectangle rhythm.

Best suited for high-impact display settings such as headlines, posters, brand marks, and attention-grabbing packaging. It also fits athletic and action-oriented graphics where a forward motion is desirable. In editorial or UI contexts it works most reliably for short bursts—titles, buttons, callouts—rather than long text blocks.

The overall tone is confident and kinetic, with a sporty forward-lean that reads as active and assertive. Rounded corners keep it approachable and contemporary, tempering the heaviness with a friendly, product-forward feel. It suggests speed, impact, and bold messaging without becoming aggressive or jagged.

The design appears intended to deliver maximum presence with a cohesive rounded geometry and a consistent forward slant. It prioritizes punchy shapes and quick recognition over delicate detail, aiming for a modern, energetic voice that remains approachable through softened corners and smooth curves.

Uppercase forms read compact and powerful, while the lowercase adds a slightly softer, more conversational texture. The numerals are strong and simple, built to match the same rounded geometry and visual density as the letters. At smaller sizes the dense interior spaces may call for generous spacing or larger settings to preserve clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸