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Free for Commercial Use

Serif Normal Mirij 7 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'ITC Cheltenham' by ITC, 'Brim Narrow' by Jamie Clarke Type, 'Cheltenham Pro' by SoftMaker, and 'Evans' by Zetafonts (names referenced only for comparison).

Keywords: headlines, editorial, packaging, book covers, posters, authoritative, classic, formal, confident, strong presence, traditional text, editorial tone, classic display, bracketed, ball terminals, scotch-like, sturdy, crisp.


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This is a robust, high-contrast serif with pronounced thick–thin modulation and sharply defined, bracketed serifs. The shapes are compact and weighty, with strong vertical stress and a steady baseline that gives lines a dense, stable rhythm. Counters are moderately tight, and terminals frequently resolve into rounded ball-like endings (notably in letters such as a, c, f, j, y), adding a distinctive, slightly calligraphic finish. Uppercase forms are broad and commanding, while the lowercase maintains a traditional structure with a clearly defined, two-storey a and a compact, readable texture in paragraph settings.

Well-suited to headlines, subheads, and prominent editorial typography where a dense, traditional serif presence is desirable. It can also work effectively on book covers, posters, and premium packaging that calls for a classic, assertive tone and high-contrast detailing.

The overall tone is authoritative and traditional, with an unmistakably editorial voice. Its heavy color and crisp contrast read as confident and formal, leaning toward established print aesthetics rather than casual or playful styling. Subtle ball terminals introduce a touch of warmth and craft without reducing its seriousness.

The design appears intended to deliver a conventional, print-rooted serif voice with extra emphasis and presence. By combining strong contrast with bracketed serifs and recurring ball terminals, it aims to balance authority and readability with a recognizable, slightly decorative finish.

The numerals and capitals appear designed for impact, producing strong word shapes at display sizes. In text, the dark typographic color and tight interior spaces suggest it will benefit from generous tracking and comfortable line spacing when set in longer passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸