Sans Superellipse Ilvo 1 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Etrusco Now' by Italiantype, 'Dark Sport' by Sentavio, and 'Address Sans Pro' by Sudtipos (names referenced only for comparison).
Keywords: sports branding, esports, posters, headlines, logos, sporty, energetic, assertive, techy, modern, impact, speed, modernity, branding, oblique, blocky, rounded corners, compact counters, tight apertures.
A heavy, oblique sans with wide proportions and a compact, muscular footprint. Letterforms are built from squared-off, superellipse-like curves with rounded corners and flattened bowls, giving counters a tight, industrial feel. Strokes are monoline with strong horizontal emphasis and frequent angled terminals that reinforce forward motion. The rhythm is dense and steady, with sturdy joins, simplified geometry, and minimal internal detailing that keeps silhouettes bold and legible at display sizes.
Best suited to high-impact display use such as sports and esports identities, event posters, headlines, social graphics, and product branding where speed and strength are key. It can also work for UI banners, packaging callouts, and short technical markings, especially when paired with a calmer text face for body copy.
The overall tone is fast, forceful, and contemporary, with a distinctly athletic and action-oriented slant. Its chunky geometry and aerodynamic cuts read as confident and performance-driven, leaning toward motorsport, gaming, and tech branding rather than neutral text work.
The design appears intended to deliver a bold, forward-leaning voice with simplified, superellipse-driven forms that stay cohesive across letters and numbers. Its angled terminals and compact counters prioritize punchy silhouettes and a sense of motion for branding and display typography.
The oblique angle is consistent across uppercase, lowercase, and numerals, and the family shows a cohesive set of squared curves across rounded letters like O, C, and G. Numerals match the same compressed counters and cut terminals, helping mixed alphanumeric settings feel unified. In longer lines, the heavy weight and tight apertures create a dark color, so generous tracking can improve clarity.