Sans Normal Tina 3 is a very bold, very wide, high contrast, upright, normal x-height font visually similar to 'Rotulo' by Huy!Fonts and 'Indecise' by Tipo Pèpel (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, punchy, sporty, impact, clarity, approachability, modernity, display strength, rounded, open counters, compact joints, clean terminals, blocky.
A heavy, wide sans with rounded, continuous curves and crisp, unbracketed terminals. The stroke modulation is noticeable across curved forms, giving letters like O, C, S, and G a lively, slightly calligraphic tension while keeping an overall geometric, constructed feel. Counters are generally open and generous, and the spacing reads sturdy and even in display sizes. Lowercase forms are straightforward and single‑storey where expected (a, g), with a compact, utilitarian rhythm and clear differentiation in bowls and stems. Numerals are similarly robust and wide, with smooth curves and strong horizontals that match the letterforms.
Best suited for large-scale typography such as headlines, posters, brand marks, packaging, and signage where width and mass help fill space and command attention. It can also work for short UI labels or navigation elements when a strong, friendly presence is desired, but its weight and width will dominate in longer passages.
The overall tone is bold and assertive without feeling harsh, combining friendliness from the rounded shapes with a contemporary, performance-oriented energy. It reads as direct and attention-getting, suited to messaging that needs impact and clarity at a glance.
The letterforms appear designed to deliver maximum visual impact with approachable geometry: wide proportions for presence, rounded construction for warmth, and controlled contrast to add refinement and energy. The consistent shapes suggest a focus on reliable readability in display contexts while keeping a modern, contemporary voice.
The design maintains consistent curvature and terminal treatment across the set, with diagonals (V, W, X, Y) feeling stable rather than sharp. The Q’s tail and the broader, rounded bowls contribute to a slightly characterful, headline-driven texture while remaining clean and legible.