Sans Other Aslev 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Aqeeq Display Pro', 'Aqeeq Rounded Pro', and 'Aqeeq Sans Pro' by GHEEN Studio (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, techno, industrial, retro, quirky, arcade, futurism, impact, distinctiveness, signage, angular, blocky, chamfered, geometric, compact.
A heavy, geometric sans with squared bowls, flattened curves, and frequent chamfered corners that create a cut, modular silhouette. Strokes are monolinear and end in crisp, mostly horizontal/vertical terminals, with occasional angled notches that add a mechanical rhythm. Counters tend to be rectangular or rounded-rectangle, and many glyphs show purposeful asymmetries (notably in diagonals and curved joins) that keep the texture lively rather than purely grid-rigid. The lowercase is compact with sturdy stems and simplified forms; numerals echo the same squared, carved construction.
Best suited for display typography where its angular, machined shapes can read as a deliberate style choice—headlines, posters, branding marks, and entertainment or tech-facing graphics. It also fits game/UI titles and labels where a bold, geometric voice is desirable. For long-form text, larger sizes and generous spacing help preserve clarity.
The overall tone feels techno-industrial and slightly playful, like signage for an arcade cabinet or a sci‑fi interface. Its chiseled corners and boxy counters give it a manufactured, machined personality, while the quirky cuts and irregular details add character and attitude.
The font appears designed to deliver a futuristic, constructed sans voice through chamfered geometry and squared counters, prioritizing a strong silhouette and distinctive texture over neutral text behavior. Its intentional cuts and asymmetries suggest an aim for recognizability and thematic styling in display contexts.
The design leans on distinctive cut-ins and notches (especially visible in curves and diagonal letters), producing strong word shapes at display sizes. The tight, blocky interior spaces and squared counters suggest better performance in short bursts than in dense paragraphs.