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Free for Commercial Use

Sans Normal Itrog 4 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'BD Megatoya' by Balibilly Design, 'Muller Next' by Fontfabric, 'Remora Corp' by G-Type, 'LCT Picon' by LCT, 'Belle Sans' by Park Street Studio, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, retro, punchy, playful, impact, approachability, retro display, brand presence, simplicity, geometric, soft corners, rounded forms, compact apertures, heavy terminals.


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A heavy, wide sans with strongly rounded bowls and smooth, low-contrast strokes throughout. The overall construction leans geometric, with circular counters and broad, steady horizontals and verticals, while corners and joins are softened rather than sharp. Apertures tend to be fairly closed, creating dense, high-impact letterforms, and the proportions favor stout shapes with ample width and short-looking extenders. Numerals and letters share the same chunky rhythm, with simplified curves and sturdy terminals that keep color even across words.

Best suited to large-scale applications where mass and width are assets: headlines, posters, brand marks, packaging, and bold signage. It can work for short UI labels or calls-to-action when ample size and contrast are available, but is less ideal for long-form reading where more open apertures and lighter texture would improve clarity.

The tone is bold and approachable, combining a retro display feel with a friendly, contemporary softness. Its wide stance and rounded geometry read as confident and attention-grabbing, while the smooth curves keep it from feeling aggressive.

Designed to deliver maximum visual weight with a friendly geometric voice, prioritizing strong presence and smooth, rounded construction. The emphasis appears to be on display impact and brand-forward clarity rather than delicate detail or text economy.

In text settings the tight apertures and heavy internal whitespace make word shapes feel compact and blocky, which increases impact at large sizes but can reduce differentiation in smaller sizes or dense paragraphs. The overall spacing and silhouette emphasize a strong horizontal rhythm, giving headlines a stable, poster-like presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸