Sans Normal Ufred 9 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Astoria Classic Sans' by Alan Meeks, 'Opal Bulgarian' by Context Foundry, 'Prolog Hybrid' by HGB fonts, 'Begum Sans' by Indian Type Foundry, 'Norma' and 'Optima Nova' by Linotype, 'Alinea Incise' by Présence Typo, and 'Tabac Glam' by Suitcase Type Foundry (names referenced only for comparison).
Keywords: editorial, book text, headlines, branding, posters, classic, formal, refined, literary, editorial voice, classic refinement, print clarity, elegant contrast, institutional tone, bracketed serifs, didone-like, vertical stress, crisp, stately.
This typeface presents crisp, high-contrast letterforms with pronounced thick–thin modulation and clean, sharply finished terminals. The capitals are relatively tall and dignified, with steady vertical strokes and controlled curves, while the lowercase shows compact, well-contained bowls and a moderate x-height. Serifs appear bracketed and neatly cut, giving edges a precise, print-oriented feel. Overall spacing reads even and text forms a consistent rhythm, with numerals and capitals aligning cleanly for orderly lines.
It performs well for magazine and editorial typography, book interiors at comfortable sizes, and prominent headlines where contrast can do visual work. The structured, traditional tone also suits branding for institutions, arts and culture, and premium packaging where a classic voice is desirable.
The overall tone is classic and formal, with an editorial polish that feels at home in print-centric contexts. Its strong contrast and structured proportions communicate refinement and authority rather than casualness, leaning toward a traditional, literary voice.
The design appears intended to deliver a traditional, print-forward reading experience with a refined contrast profile and clear, disciplined construction. It aims to balance elegance with legibility, producing authoritative text and display settings that feel composed and established.
Round characters like C, O, and e show smooth curvature paired with decisive stroke transitions, while diagonals (V, W, X) stay sharp and stable without appearing overly condensed. The figures are clear and traditional in construction, matching the text’s bookish character in the sample paragraph.