Sans Superellipse Kaji 2 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Refinery' by Kimmy Design, 'Navine' by OneSevenPointFive, and 'Gunar' by The Northern Block (names referenced only for comparison).
Keywords: sports branding, headlines, posters, logotypes, packaging, sporty, energetic, aggressive, modern, industrial, impact, speed, athletic branding, headline strength, technical feel, oblique, slanted, rounded corners, squared bowls, compact spacing.
A heavy oblique sans with squared, superellipse-like bowls and softened corners that keep the forms dense and cohesive. Strokes are uniform and chunky, with frequent horizontal shears and angled terminals that reinforce forward motion. Counters are relatively tight and rectangular, while curves are built from rounded rectangles rather than circles, giving letters like C, O, D, and G a boxy roundness. The lowercase shows tall, sturdy shapes with compact apertures and a consistently athletic rhythm, and the numerals follow the same blocky, streamlined construction for clear display impact.
Best suited to high-impact display settings such as sports identities, event posters, product branding, and bold campaign headlines where the slanted, blocky forms can carry attitude. It also works well for short subheads, badges, and numbering systems that benefit from a consistent, rugged numeric set.
The overall tone is fast, forceful, and performance-oriented—more “team jersey” and motorsport than editorial or corporate. Its strong slant and compressed internal space create a sense of momentum and urgency, projecting confidence and toughness.
Likely designed to deliver a dynamic, high-performance look by combining a strong oblique stance with rounded-rectangle geometry and compact counters. The emphasis appears to be on punchy readability and a unified, engineered silhouette for branding and display.
The design leans on crisp silhouettes and simplified interior detailing, which helps it stay coherent at large sizes. The oblique angle is assertive rather than subtle, so the face reads as a deliberate display style even in mixed-case text.