Sans Normal Obdeg 14 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'BR Omega' by Brink; 'Peridot Devanagari', 'Peridot Latin', and 'Peridot PE' by Foundry5; and 'Harmonia Sans' and 'Harmonia Sans Paneuropean' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, modern, approachable, impact, legibility, approachability, modern branding, simplicity, rounded, geometric, blocky, compact, high impact.
A heavy, rounded sans with compact proportions and a strongly even stroke weight. Curves are built from broad circular/elliptical forms, while joins and terminals stay clean and mostly straight, giving the overall shapes a sturdy, slightly blocky silhouette. Counters are relatively small for the weight, and apertures tend to be tight, producing a dense color on the page. The lowercase shows simple, single-storey forms (notably a and g), with a sturdy, utilitarian rhythm; the Q has a small interior tail and the numerals follow the same rounded, solid construction.
Best suited to headlines, posters, packaging, and bold branding where strong presence and quick recognition matter. It can work for short UI labels or signage when set with generous spacing, but it’s most effective in display contexts rather than extended body text.
The font reads bold and upbeat, with a friendly, contemporary tone that feels confident and straightforward rather than refined. Its chunky rounded forms suggest approachability and a touch of playfulness, while the strict, even construction keeps it modern and dependable.
The design appears intended as an impact-oriented, rounded geometric sans that delivers maximum visibility with a friendly edge. Its simplified lowercase and solid numerals point toward practical, contemporary use in marketing and identity systems where clarity and tone are more important than typographic delicacy.
At display sizes the letterforms feel stable and punchy, but in longer passages the tight counters and dense texture can make lines feel heavy, especially in all-caps. The strong uniformity across letters and figures supports consistent headline setting and branding applications.