Sans Superellipse Olnay 2 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Protrakt Variable' by Arkitype, 'Karnchang' by Jipatype, 'Refinery' by Kimmy Design, 'B52' by Komet & Flicker, and 'Navine' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, industrial, sporty, techy, assertive, modern, impact, modernize, soften geometry, increase legibility, rounded corners, compact, squared curves, blocky, high impact.
A heavy, geometric sans with squared-round (superelliptical) construction and consistently rounded corners. Strokes are thick and even, with minimal contrast and a compact, tightly controlled rhythm. Round letters like O/Q and the bowls of B/P/R read as rounded rectangles rather than circles, while counters stay open enough for clarity at display sizes. The lowercase is tall and sturdy, with a single-storey a and g, a short-armed r, and simplified terminals that end in softly squared cuts; numerals follow the same blunt, rounded-rectangular logic.
Best suited for headlines, logos, and short statements where its dense weight and squared-round geometry can carry impact. It works well for wayfinding and signage, packaging, apparel graphics, and sports or tech-facing branding that wants a robust, modern voice. For longer text, it will be most comfortable at larger sizes with extra leading to offset the heavy texture.
The overall tone is confident and utilitarian, combining a contemporary tech feel with a sporty, industrial presence. Its blocky geometry and softened corners make it feel tough but approachable, suited to loud, no-nonsense messaging.
The design appears intended to deliver maximum presence through thick, uniform strokes and superelliptical curves, producing bold silhouettes that reproduce reliably. The rounded corners temper the strict geometry, aiming for a contemporary display sans that feels engineered, energetic, and readable in big type.
Cap forms are wide and stable with flattened curves and broad joins, giving strong silhouettes in headlines. Diagonals (A, V, W, X, Y) are straight and firm, while the rounded-corner treatment keeps the texture from becoming too harsh. Spacing appears tuned for display impact, with dense black areas that benefit from generous line spacing in longer settings.