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Sans Superellipse Gerab 9 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Molde' by Letritas, 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype, 'PODIUM Sharp' by Machalski, 'PT Filter' by Paavola Type Studio, 'RF Dewi' by Russian Fonts, and 'Amsi Grotesk' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, energetic, industrial, modern, confident, impact, motion, modernize, soften edges, brand voice, oblique, rounded corners, blocky, compact, punchy.


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A heavy, oblique sans with blocky silhouettes and generously rounded corners. Curves resolve into squarish, superellipse-like bowls and counters, giving letters a compact, molded look rather than purely geometric circles. Stroke weight stays even throughout, with softened terminals and minimal detailing; the overall rhythm is tight and dense, optimized for impact. Uppercase forms are broad-shouldered and stable, while lowercase shapes remain sturdy and simplified, keeping counters relatively small at display sizes.

Best suited to display roles where strong presence and quick readability matter: headlines, posters, brand marks, product packaging, and sports or fitness-related graphics. It also works well for short UI or signage labels when a bold, friendly-industrial voice is desired, though its density favors larger sizes for maximum clarity.

The tone is assertive and kinetic: the slant adds forward motion while the rounded construction keeps it approachable rather than aggressive. It reads as contemporary and performance-oriented, with a utilitarian, engineered feel that suits bold messaging.

Likely designed to deliver maximum visual punch with a streamlined, rounded-rectangular construction and a consistent forward slant. The emphasis appears to be on modern branding versatility—combining speed and confidence with softened geometry for a more approachable finish.

Figures follow the same compact, rounded-rectangle logic, staying sturdy and legible with minimal contrast. The italic angle is consistent across caps, lowercase, and numerals, helping multi-line setting feel cohesive and fast-moving.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸