Sans Superellipse Hobaz 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller' and 'Muller Next' by Fontfabric, 'Nuno' by Type.p, 'Obvia Narrow' by Typefolio, and 'Quan Geometric' and 'Quan Pro' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, modern, sporty, impact, approachability, modernity, clarity, blocky, rounded, compact, sturdy, geometric.
A heavy, geometric sans with rounded-rectangle (superellipse) construction and large, open counters. Curves are broadly radiused and terminals are clean and flat, creating a sturdy, compact silhouette that reads clearly at display sizes. The overall rhythm is even and modular, with simplified joins and minimal stroke modulation; round letters like O/Q stay very stable and square-leaning, while diagonals in A, K, V, W, X, and Y are wide and forceful. Figures are similarly robust and simplified, matching the uppercase weight and footprint for consistent headline color.
Best suited to headlines, posters, and brand marks that need maximum impact and quick recognition. The broad shapes and large counters also make it effective for packaging, signage, and UI/feature callouts where a strong, friendly presence is desired at larger sizes.
The tone is bold and direct, with a friendly softness coming from the rounded geometry. It feels contemporary and energetic—more athletic and tech-forward than formal—projecting strength without sharp aggression.
Designed to deliver a solid, contemporary voice built from rounded geometric forms, prioritizing bold legibility and brandable character. The intent appears to be an approachable display sans that stays clean and consistent across letters and numerals.
The face maintains strong consistency between uppercase, lowercase, and numerals, favoring simple, high-impact shapes over delicate detail. The lowercase keeps a straightforward, single-storey feel where applicable, reinforcing the geometric, utilitarian character and making the texture dense and emphatic in paragraphs set large.