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Free for Commercial Use

Distressed Rolop 9 is a bold, narrow, high contrast, upright, normal x-height font visually similar to 'Newhouse DT' by DTP Types, 'Trade Gothic Next' and 'Trade Gothic Next Soft Rounded' by Linotype, and 'Helsinki' by Ludwig Type (names referenced only for comparison).

Keywords: posters, headlines, packaging, labels, logos, industrial, rugged, tactical, retro, impact, stenciling, aging effect, utility look, stencil-cut, weathered, blocky, angular, condensed.


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A condensed, all-caps–friendly display face built from heavy, blocklike strokes and sharply chamfered corners. Many letters show deliberate stencil-like breaks and notches, with small internal voids and cut-ins that create a segmented construction. The outlines are intentionally worn, with subtle chips and roughened interior texture that reads like scuffed paint or distressed printing. Curves are largely faceted into straight segments (notably in C, G, O, and Q), producing a rigid, mechanical rhythm; lowercase mirrors the same angular, cut template with compact bowls and minimal modulation.

Best suited to short, high-impact text such as posters, album/cover art, badges, labels, and packaging where a rugged, industrial voice is desired. It also works well for logos and wordmarks that benefit from a stencil-marking feel, and for thematic applications like action, military-inspired, workshop, or motorsport graphics.

The overall tone is hard-edged and utilitarian, evoking stamped equipment markings, crate labeling, and rugged signage. The distress adds a gritty, used-in-the-field character, leaning toward tactical, industrial, and vintage workwear aesthetics rather than polished contemporary branding.

The design appears intended to merge a condensed, signage-like block skeleton with stencil-inspired cuts and a controlled distressed texture, creating a forceful display font that looks printed, worn, and utilitarian. The consistent chamfers and segmented curves suggest a focus on mechanical precision, while the erosion adds authenticity and attitude.

Counters tend to be tight and apertures are often partially closed by the cut-ins, increasing darkness and impact at larger sizes. Numerals match the same octagonal, segmented logic (e.g., 0, 6, 8, 9) and maintain strong visual consistency with the uppercase set. The distressed texture is consistent enough to feel intentional, but can reduce clarity at small sizes or on low-resolution outputs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸