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Free for Commercial Use

Wacky Luza 2 is a very bold, very wide, low contrast, upright, tall x-height font.

Keywords: posters, headlines, comics, packaging, album art, playful, chaotic, handmade, comic, attention, personality, humor, diy, blobby, spiky, chunky, inked, irregular.


Free for commercial use
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A heavy, marker-like display face built from chunky, uneven strokes with blunted terminals and occasional pointed corners. The letterforms are highly irregular, mixing rounded bowls with angular cuts and triangular notches, and showing inconsistent counters that sometimes close up into small apertures. Curves feel carved rather than smooth, with a slightly smeared, brushy edge quality that keeps the silhouettes lively. Spacing and widths vary noticeably from glyph to glyph, giving the line a bouncy rhythm and an intentionally unrefined texture.

Best suited for short, attention-grabbing text such as posters, headlines, event promos, album covers, and playful packaging where bold silhouettes and characterful shapes carry the message. It can also work for comic-style titling or themed signage, especially when a handmade, slightly chaotic voice is desired. For longer passages or small sizes, the tight apertures and irregular counters can reduce clarity, so generous sizing and spacing will help.

The overall tone is mischievous and offbeat, like quick hand-drawn lettering for cartoons, DIY flyers, or playful horror-comedy. Its odd proportions and quirky cuts read as energetic and a little unruly, prioritizing personality over polish. The black, inky massing gives it a bold presence while the irregularity keeps it lighthearted and cheeky.

This font appears designed to deliver an expressive, one-off display voice with a hand-drawn, improvised construction. The goal seems to be maximizing personality through uneven widths, quirky cuts, and dense black shapes rather than achieving typographic neutrality or strict consistency.

Distinctive square-ish counters appear in several glyphs (notably in forms like O/Q and some lowercase), adding a stamped, cutout feel among otherwise brushy shapes. Many letters show exaggerated, flared strokes and wedge-like joins that create a jittery texture across words. The numerals follow the same eclectic construction, with simplified forms and dramatic thick-to-thicker massing rather than fine detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸