Sans Superellipse Wada 12 is a very bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, gaming ui, product branding, futuristic, tech, industrial, sporty, sci‑fi, impact, modernity, modularity, tech branding, distinctiveness, rounded corners, squared curves, stencil-like breaks, geometric, compact apertures.
A heavy, geometric sans built from squared-off curves and rounded-rectangle counters, giving most forms a superelliptic, machined feel. Strokes are consistently thick with minimal contrast, and many letters feature tight apertures and enclosed, softened corners rather than open, humanist shaping. Several glyphs show deliberate cut-ins and notches—especially around bowls and terminals—creating a subtle stencil-like segmentation while preserving a cohesive, blocky silhouette. The overall rhythm is wide and steady, with uniform stroke behavior and prominent counters that read as rounded slots.
Best suited to display applications where mass and shape can carry the message—headlines, posters, packaging, and logotypes. It also fits UI titling and on-screen graphics for gaming, tech, and sports contexts, where its rounded-square construction and consistent stroke weight remain striking and legible at medium to large sizes.
The font projects a futuristic, engineered tone—confident, fast, and equipment-like. Its rounded-square geometry and purposeful breaks evoke sci-fi interfaces, motorsport graphics, and contemporary tech branding, balancing friendliness from the softened corners with a hard, industrial precision.
The design appears intended to deliver a bold, contemporary display voice rooted in rounded-rect geometry, with small strategic breaks to add distinctive character and a technical, modular signature. Its emphasis on uniform thickness and softened corners suggests a goal of combining rugged impact with a controlled, modern finish.
At larger sizes the internal cutouts and notches become a defining texture, adding motion and a sense of modular construction. The numeral set follows the same rounded-rect geometry, with closed forms and compact openings that reinforce the interface/gear aesthetic.