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Free for Commercial Use

Slab Square Igmo 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Bourgeois Slab' by Barnbrook Fonts (names referenced only for comparison).

Keywords: sports branding, posters, headlines, packaging, signage, sporty, assertive, retro, industrial, punchy, impact, speed, ruggedness, display clarity, branding strength, blocky, compact, square-cut, angled, bracketed.


Free for commercial use
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A heavy, right-leaning slab-serif with broad proportions and tightly packed counters. The letterforms are built from thick, low-contrast strokes with square-cut terminals and chunky slabs that read as integrated blocks rather than delicate serifs. Curves are rounded but controlled, often transitioning into flattened shoulders and angled joins, giving the shapes a machined, aerodynamic feel. Spacing appears sturdy and even, supporting bold word shapes in both uppercase and lowercase, with robust numerals that match the overall mass and rhythm.

Best suited to display roles such as sports identities, team apparel graphics, posters, promotional headlines, and bold packaging where strong silhouettes and a slanted, high-impact rhythm are desired. It can also work for short signage messages and labels where clarity comes from mass and shape rather than fine detail.

The tone is forceful and energetic, channeling classic athletic and workwear signage with a slightly vintage, poster-driven attitude. Its bold slanted stance adds speed and urgency, making it feel competitive and action-oriented rather than refined or quiet.

The font appears intended to deliver maximum presence with a compact, square-ended slab structure and a dynamic slant, prioritizing punchy word shapes and a sturdy, industrial-athletic feel. Its simplified, block-forward construction suggests a focus on reliability and visual force in branding and headline contexts.

The design relies on simplified interior shapes and strong exterior silhouettes, so it maintains impact at display sizes where the slab details and angled cuts become part of the personality. The consistent heft across letters and figures gives lines of text a dense, uniform color that reads as confident and attention-grabbing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸