Sans Superellipse Okbab 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Anantason Mon' and 'Anantason Reno' by Jipatype, 'Itaca' by Tipo Pèpel, and 'URW Dock Condensed' by URW Type Foundry (names referenced only for comparison).
Keywords: branding, headlines, packaging, ui labels, signage, friendly, modern, confident, utilitarian, approachable, approachability, clarity, geometric consistency, display impact, brand neutrality, rounded, soft corners, sturdy, compact, high legibility.
A sturdy sans with rounded-rectangle construction throughout, giving bowls and counters a squarish, superelliptical feel. Strokes are thick and even, with minimal modulation and smoothly blunted terminals rather than sharp cuts. Curves stay controlled and slightly boxy (not fully circular), while joins are clean and consistent. The lowercase is compact and tidy, with single-storey forms for a and g, a short-armed t, and a hook-like j descender; numerals are similarly rounded and blocky with open, simple shapes.
Well-suited to brand marks, packaging, and headline typography where a friendly but substantial voice is needed. The rounded, high-ink shapes and open counters also support UI labels, navigation, and signage-style applications, particularly at medium to large sizes where its geometric character is most apparent.
The overall tone is friendly and contemporary, balancing warmth from the rounded corners with a no-nonsense, workmanlike solidity. It feels confident and approachable rather than delicate, with a slightly tech/consumer-product neutrality that reads clearly at a glance.
The design appears intended to deliver a modern, highly legible sans built from rounded-rectangle geometry—combining a soft, approachable silhouette with the clarity and consistency needed for functional display and interface use.
The caps have a broad, stable presence with generous interior space in letters like D, O, and P. Diagonals (A, K, V, W, X, Y) stay thick and robust, reinforcing a compact, signage-ready rhythm. The punctuation shown (apostrophe, question mark, ampersand, period) matches the same rounded, heavy construction, keeping texture consistent in text settings.