Sans Other Hije 14 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Blackbarry NF' by Nick's Fonts, 'Beni' by Nois, 'Motte' by TypeClassHeroes, and 'Ravenda' by Typehand Studio (names referenced only for comparison).
Keywords: posters, headlines, logotypes, packaging, titles, art deco, poster, industrial, retro, architectural, distinctive texture, decorative display, retro branding, graphic impact, stencil-like, segmented, geometric, modular, high impact.
A heavy, compact sans with a modular construction and repeated vertical splits that read like stencil cuts. Curves are built from broad, rounded segments while straight strokes stay rectangular, creating a consistent rhythm of solid slabs interrupted by narrow internal gaps. Counters are simplified and often pinched by the segmentation, giving many letters a sculpted, almost inlaid look. Overall spacing and proportions favor tight, display-oriented silhouettes with crisp terminals and minimal detailing.
Best suited to large-size applications where the segmented construction can be appreciated: posters, editorial headlines, title cards, and brand marks. It can also work on packaging or signage when a strong, patterned word shape is desired. For extended reading, it performs more like a decorative display face than a text workhorse.
The segmented forms and monolithic weight give the font a bold, architectural voice that feels retro-futurist and Art Deco adjacent. Its repeated cut-lines add a mechanical, industrial tension, making the tone both graphic and theatrical. The overall impression is confident and stylized rather than neutral or conversational.
The design appears intended as a high-impact display sans that merges geometric mass with stencil-like interruptions to create a memorable, patterned texture. Its modular segmentation suggests a focus on visual identity and headline presence over typographic neutrality.
The distinctive internal splits are a primary identifying feature and remain consistent across caps, lowercase, and numerals, producing a strong pattern on the page. In longer settings the repeated gaps become part of the texture, so the design reads as much by its rhythm as by individual letterforms.