Sans Superellipse Onmom 10 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Morgan Big' by Feliciano (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, techy, futuristic, industrial, sporty, friendly, impact, modernize, systematize, signal tech, squared, rounded, blocky, compact, stencil-like.
A heavy, squarish sans built from rounded-rectangle (superellipse) forms, with softened corners and consistently low contrast throughout. Strokes are thick and uniform, counters are compact, and many curves resolve into flat-ish terminals rather than fully circular bowls, giving the alphabet a sturdy, engineered feel. The x-height is notably tall and the lowercase is wide-set, with simple, single-storey shapes and minimal modulation. Numerals follow the same rounded-rect geometry, staying open and legible while maintaining a dense, blocky footprint.
This design suits bold headlines, posters, and branding where a strong, geometric voice is desired. It also works well for packaging and short signage applications, particularly in tech, sports, and industrial-adjacent contexts where a robust, modern aesthetic helps establish presence.
The overall tone feels modern and technical, with a slightly retro digital flavor thanks to the squared curves and blunt terminals. Its weight and rounded corners balance toughness with approachability, producing an assertive but not aggressive voice that reads as sporty and utilitarian.
The font appears designed to translate a rounded-rect geometric system into a high-impact sans for display use, prioritizing strong silhouettes, consistent curvature, and dense, readable forms. The tall lowercase and simplified shapes suggest an emphasis on quick recognition at larger sizes while maintaining a cohesive, engineered style.
Several joins and apertures are intentionally tightened, creating a compact rhythm that looks best when given a bit of space to breathe. The superelliptical construction is especially evident in O/Q/0 and in rounded bowls across the set, reinforcing a consistent, system-like geometry.