Sans Superellipse Himel 22 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Kelson' by Armasen, 'Absentia Sans' by DR Fonts, 'Isotonic' by Emtype Foundry, 'FF Good' by FontFont, 'Estandar Rounded' by Latinotype, and 'Obvia Narrow' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, friendly, sturdy, sporty, retro, impact, approachability, clarity, rounded corners, soft terminals, blocky, compact, high impact.
A heavy, compact sans with rounded-rectangle construction and softly squared curves. Strokes are consistently thick with minimal modulation, and joins lean toward smooth, filleted corners rather than sharp angles. Counters are tight and geometric, with a generally closed-in feel that boosts punch at display sizes. The lowercase is simple and sturdy, with short extenders and rounded shoulders; numerals follow the same chunky, softened geometry for a cohesive texture.
Best suited to headlines, posters, and brand marks where a compact, high-impact voice is needed. It should perform well in packaging and signage that benefits from sturdy shapes and rounded corners, and in short UI labels or badges where a bold, friendly presence helps hierarchy.
The overall tone is confident and approachable, combining a strong, poster-ready weight with softened corners that keep it from feeling aggressive. It reads as energetic and slightly retro, with a utilitarian, sporty friendliness that suits bold messaging and branding.
Likely designed to deliver maximum impact with a softened geometric voice: a heavy display sans that stays approachable through rounded-square forms and consistent stroke weight. The intent reads as practical and attention-grabbing, aiming for strong silhouettes and quick recognition in branding and large-format typography.
In the sample text, the dense letterforms create a dark, even color and strong rhythm, especially in mixed-case settings. The rounded-square geometry is most noticeable in bowls and curves, giving the type a distinctive, slightly industrial softness. Spacing appears designed to hold together in large headlines, where the compact counters and thick strokes feel intentional.