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Free for Commercial Use

Serif Other Litu 1 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Kingcup' by Fridaytype (names referenced only for comparison).

Keywords: headlines, posters, book covers, editorial, branding, authoritative, heritage, dramatic, formal, display impact, classic revival, distinctive texture, editorial voice, bracketed, ball terminals, ink-trap like, vertical stress, poster-ready.


Free for commercial use
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A heavy, display-oriented serif with pronounced contrast between thick verticals and thin hairlines, and strongly bracketed serifs that taper into sharp beak-like points. The letterforms are compactly constructed with sturdy stems, rounded bowls, and crisp inner counters, producing a dense rhythm in text. Several joins and terminals show triangular notches and cut-ins that read like ink-trap or chiseled detailing, adding texture without breaking overall cohesion. Uppercase forms feel architectural and stately, while the lowercase maintains a traditional, readable skeleton with distinctly serifed ascenders and a compact, upright stance.

Best suited to headlines, cover lines, and short passages where strong typographic presence is needed. It works well for editorial branding, book or magazine covers, posters, and identity systems that want a traditional serif foundation with distinctive, attention-getting detailing.

The font conveys a classic, old-world confidence with a slightly theatrical edge. Its sharp serif points and high-contrast detailing create a sense of drama and seriousness, suitable for bold statements rather than understated body copy.

The design appears intended as a contemporary display serif that amplifies classic, high-contrast proportions with sharp, sculpted terminals and notched joins to create a memorable texture. It aims to deliver authoritative readability in large sizes while standing apart from more conventional transitional or modern serif defaults.

The numerals and punctuation carry the same assertive contrast and pointed terminal language, helping mixed text feel consistent. At large sizes the cut-in details become a recognizable signature; at smaller sizes the dense weight and tight interior spaces can make texture dominant.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸