Sans Superellipse Esrej 12 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Cube' by FontFont, 'Futo Sans' by HB Font, 'JH Oleph' by JH Fonts, and 'Metral' by The Northern Block (names referenced only for comparison).
Keywords: sports branding, headlines, posters, gaming ui, automotive, sporty, tech, dynamic, industrial, futuristic, convey speed, modernize, add impact, signal performance, rounded, square-ish, oblique, compact, angular.
A heavy oblique sans with rounded-rectangle construction and softened corners throughout. Curves resolve into superelliptical bowls and counters, while terminals are mostly flat and clean, giving the forms a compact, engineered feel. The italic slant is pronounced and consistent, with a forward-leaning rhythm and sturdy strokes that stay even in thickness. Letterforms favor squared-off rounds (notably in O/Q and e/c), and diagonals are crisp and stable; numerals follow the same rounded-square logic for a cohesive set.
Best suited to short-to-medium display settings where the forward slant and dense stroke weight can project energy—team identities, sportswear graphics, esports and gaming interfaces, automotive or tech marketing, and punchy headings. It can also work for UI labels and dashboards when set with adequate size and spacing to preserve clarity.
The overall tone is fast and purposeful, with a sporty, technical edge. Rounded corners keep it approachable, while the blocky geometry and strong slant communicate motion, performance, and modern machinery.
The design appears intended to combine the speed cues of an italic with a rounded-square geometric skeleton, creating a robust, contemporary voice that feels engineered rather than calligraphic. Its consistent corner rounding and sturdy proportions suggest a focus on impact and legibility in motion-oriented branding and display typography.
Uppercase shapes read wide and aerodynamic, while lowercase maintains a compact footprint with sturdy joins and minimal calligraphic modulation. The Q’s angled tail and the squared counters in letters like e and a reinforce the geometric, superellipse-driven design language across text and figures.