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Free for Commercial Use

Sans Normal Mykir 8 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Flinders' by Eko Bimantara, 'Foro Sans' and 'Qubo' by Hoftype, 'Belle Sans' by Park Street Studio, and 'Monsal Gothic' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, friendly, playful, retro, chunky, display impact, approachability, brand presence, simplicity, rounded, soft corners, bulky, compact counters, high impact.


Free for commercial use
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A heavy, rounded sans with broad proportions and a compact internal rhythm. Strokes are monolinear with smooth joins and softened corners, producing sturdy, blob-like silhouettes rather than sharp geometry. Round letters (O, C, G) are generous and near-circular, while straight-sided forms (E, F, H, N) keep thick, even stems and short, blocky terminals. Lowercase forms are simple and robust, with compact bowls and a single-storey a; numerals match the same dense, cushioned construction for strong consistency in mixed settings.

This font is well-suited to short, high-impact text such as headlines, posters, and bold brand marks where a friendly but forceful voice is needed. It also fits packaging and signage that benefits from rounded forms and strong legibility at larger sizes, especially when paired with simpler supporting text.

The overall tone is confident and upbeat, combining a friendly softness with billboard-level presence. Its rounded heft gives it a slightly retro, toy-like character that feels approachable rather than technical, while still reading as assertive and attention-grabbing.

The design intention reads as a modern display sans built for immediate visual punch with an approachable, rounded personality. It aims to deliver a consistent, heavy typographic color across capitals, lowercase, and numerals while keeping forms simplified for clear recognition in large-scale applications.

Spacing appears intentionally open for a display face, helping the heavy shapes avoid clumping in words. The design favors simplified details and strong silhouettes, prioritizing impact and uniform texture over delicate differentiation at small sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸