Sans Superellipse Olmak 3 is a very bold, very narrow, low contrast, upright, short x-height font visually similar to 'Niquitta Mirzani' by Arterfak Project; 'Explorer' by Fenotype; 'Bellfort' by GRIN3 (Nowak); 'Privilege Sign JNL' by Jeff Levine; and 'Angmar', 'Delonie', and 'Headpen' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, signage, labels, packaging, assertive, industrial, condensed, poster-ready, retro, space saving, impact, clarity, uniformity, blocky, compact, rounded corners, monoline, tight spacing.
A compact, heavy sans with condensed proportions and monoline strokes. Curves are built from rounded-rectangle geometry, giving counters and bowls a squared-off softness rather than true circularity. Terminals are blunt and clean, with minimal modulation and a consistent, solid color on the page. The overall rhythm is tight and vertical, with narrow apertures and compact inner spaces that emphasize density and punch.
Best suited to headlines and display settings where density and impact are desirable, such as posters, signage, labels, and packaging. It can also work for short bursts of text (captions, UI badges, scoreboards) when a strong, compact voice is needed, but the tight interiors suggest avoiding very small sizes or long reading passages.
The tone is bold and no-nonsense, with an industrial, utilitarian feel. Its rounded-rectangular curves add a slightly retro, signage-like friendliness without losing authority. Overall it reads as emphatic and attention-seeking, suited to impactful, straightforward messaging.
The design appears intended to deliver maximum visual weight in a compact footprint, using rounded-rectangle construction to keep forms sturdy and consistent. It prioritizes strong presence, quick recognition, and a uniform, high-contrast silhouette for bold typographic statements in limited space.
Round letters such as O, Q, and 0 show a tall, superelliptical silhouette, reinforcing the font’s compressed width and vertical emphasis. The lowercase uses simple, sturdy forms with small counters, and the numerals match the same compact, blocky construction for a unified texture in mixed text.