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Free for Commercial Use

Sans Normal Ormaj 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Humanist 777' by Bitstream; 'FF Transit' by FontFont; 'Frutiger', 'Frutiger Arabic', 'Frutiger Next Paneuropean', 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; 'FreeSet' by ParaType; and 'Adora Compressed PRO' by preussTYPE (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, signage, confident, friendly, direct, contemporary, punchy, impact, approachability, clarity, modernity, solidity, rounded, compact, blocky, geometric, sturdy.


Free for commercial use
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This typeface is a heavy, rounded sans with compact proportions and broad, solid strokes. Curves are built from smooth circular and elliptical forms, while corners tend to be softened rather than sharply squared, giving bowls and shoulders a blunt, substantial feel. Apertures are generally moderate, and counters stay open enough to remain legible at display sizes despite the dense weight. The lowercase shows simple, single-storey constructions with a straightforward, utilitarian rhythm, and the numerals follow the same robust, evenly weighted construction for a cohesive overall texture.

Best suited for headlines, branding, posters, packaging, and other display applications where strong emphasis and quick recognition are needed. It can also work for short UI labels or section headers when you want a sturdy, approachable voice, but the heavy color favors larger sizes and limited text lengths.

The overall tone is bold and no-nonsense, with a friendly warmth from the rounded geometry. It reads as contemporary and practical, projecting confidence and clarity without feeling formal or delicate. The dense color and compact shapes give it a punchy, attention-getting presence.

The design appears intended to deliver a bold, modern sans voice with rounded geometry that stays approachable while maximizing visual impact. It prioritizes solid silhouettes and clear, simple structures to hold up in attention-driven contexts such as identity and advertising.

In running text at large sizes, the type creates a strong, dark typographic color and a steady baseline, with letterforms that feel engineered for impact rather than subtlety. The rounded shaping helps prevent the weight from feeling overly harsh, making it suitable for prominent headings and short statements.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸