Sans Superellipse Ibdan 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Safran' by Hubert Jocham Type, 'JAF Facit' by Just Another Foundry, 'Aneba Neue' by Machalski, 'Dalle' by Stawix, 'NuOrder' by The Northern Block, and 'Fuse V.2' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, playful, friendly, punchy, quirky, retro, display impact, approachability, brand personality, retro flavor, rounded, chunky, soft corners, compact, bubbly.
A heavy, rounded sans with chunky strokes and softened corners that read like squarish superellipse forms. Curves are broad and full, counters are relatively tight, and the overall texture is dense and dark. Terminals tend to be blunt and slightly angled in places, giving letters a subtly chiseled, cut-out feel rather than perfectly geometric smoothness. Uppercase shapes are sturdy and compact, while lowercase forms keep simple construction with a single‑storey a and g and a short, blocky t, producing an even, poster-ready rhythm across text.
Best suited to headlines, posters, packaging, and bold branding where strong presence and friendly character are desired. It also works well for signage and short promotional copy, especially when set with generous spacing or at larger sizes to keep interior counters clear.
The tone is upbeat and approachable, combining a friendly softness with an assertive, attention-grabbing weight. Its rounded geometry feels modern and fun, while the slightly quirky details add a casual, hand-cut flavor that keeps it from feeling sterile.
The design appears intended to deliver a high-impact, approachable voice through rounded, superellipse-based construction and compact, sturdy proportions. It prioritizes recognizability and personality in display settings, offering a playful alternative to more neutral grotesques.
The set shows a pronounced, uniform silhouette that favors strong verticals and wide bowls, with numerals that match the same bold, rounded-square logic. The overall impression is optimized for impact at larger sizes, where the distinctive shapes and tight counters become part of the style.