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Sans Rounded Upmo 8 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Swiss 721' by Bitstream, 'Gomenasans' by Glowtype, and 'Helvetica' by Linotype (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids branding, stickers, playful, friendly, chunky, cheerful, retro, display impact, approachability, brand friendliness, retro charm, playfulness, soft, puffy, bubbly, rounded, compact.


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A heavy, rounded sans with inflated strokes and fully softened terminals. The letters are built from broad, simple shapes with minimal contrast and generous curvature, producing a pillowy silhouette. Counters are relatively tight and often rounded-rectangular, and joints are smooth with little to no sharp meeting points. The lowercase shows a single-storey “a” and “g,” round dots on “i/j,” and a short, curved-shoulder “r,” reinforcing the simplified, cartoon-like construction. Figures follow the same soft geometry, with bold, closed forms and compact interior spaces.

Best suited for short, bold statements: branding wordmarks, posters, packaging fronts, social graphics, and playful editorial headers. It also works well for children’s products, snacks and confectionery styling, event promotions, and any design system that benefits from soft, friendly emphasis. For longer text, it will be more comfortable at larger sizes with ample line spacing to offset its dense color.

The overall tone is warm and approachable, with a toy-like, lighthearted personality. Its chunky softness reads as friendly and informal, leaning toward a retro display feel rather than a neutral UI voice. The dense black shapes create confident, attention-grabbing headlines that still feel non-threatening due to the rounded finishing.

This design appears intended to deliver maximum impact with an approachable, rounded voice—combining billboard-level weight with soft, friendly forms. The simplified construction and consistent curvature suggest a focus on robust display use where warmth and immediacy are more important than typographic nuance.

The rhythm is compact and blocky, with consistent stroke heft and pronounced rounding that stays coherent across caps, lowercase, and numerals. The shapes favor clarity through simplified geometry over delicate detailing, and the heavy mass means small sizes may darken quickly as counters close up.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸