Sans Normal Ollun 11 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Plus Sans' by FontFont, 'Possible' by K-Type, 'Malebu' by Macrotipo, 'Malebu' by Muykyta, 'Clear Sans Text' by Positype, 'Quercus Sans' by Storm Type Foundry, 'Plusquam Sans' by Typolis, and 'Corner' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, branding, logos, posters, packaging, friendly, modern, confident, approachable, clean, display impact, approachability, everyday clarity, brand tone, rounded, soft terminals, open counters, geometric influence, compact.
A sturdy, rounded sans with smooth curves and softly finished terminals. Strokes are consistently heavy with minimal modulation, giving the letters a uniform, solid color on the page. Bowls and counters tend toward circular/elliptical shapes, while joins and diagonals stay clean and straightforward, producing an even rhythm in both uppercase and lowercase. The lowercase shows simple, single-storey forms (notably the a and g), and the numerals are clear, with balanced proportions and stable verticals.
Best suited for headlines, brand marks, packaging, and short-to-medium marketing copy where a friendly, modern voice is needed. Its substantial weight and open shapes help it stay legible in display contexts, and it can also work for UI labels or signage when used with adequate spacing.
The overall tone is friendly and contemporary, with a confident, no-nonsense presence. Rounded forms keep it approachable and informal, while the consistent weight and tidy construction make it feel dependable and product-oriented rather than decorative.
The design appears intended as a contemporary, geometric-leaning sans that combines strong presence with approachable roundness. It aims to deliver high impact in display use while maintaining straightforward letterforms that remain easy to read in common text settings.
Several glyphs show slight, purposeful asymmetries and angled details (such as the tail on Q and the diagonal strokes in K/R), which add a touch of liveliness without reducing clarity. In text, the heavy strokes create strong emphasis and hold up well at larger sizes where the roundness and spacing are most apparent.