Sans Normal Laber 9 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'FS Elliot' and 'FS Elliot Paneuropean' by Fontsmith, 'Nietos' by Melvastype, 'Morph' by TipoType, 'Gogh' by Type Forward, and 'Glot' and 'Glot Round' by Wordshape (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, energetic, bold, modern, confident, impact, motion, modern branding, display clarity, emphasis, slanted, geometric, smooth, compact, chunky.
A heavy, right-slanted sans with broad proportions and smooth, geometric construction. Strokes are thick and largely uniform, with rounded bowls and clean, open counters that keep forms readable at display sizes. Terminals are mostly flat or softly squared, and joins are sturdy, giving letters a compact, blocky rhythm despite the forward lean. Numerals follow the same robust, simplified geometry, with a clear, substantial presence.
This font is well suited to headlines, posters, and hero text where maximum impact is needed. It fits energetic branding—especially sports, fitness, streetwear, and entertainment—and works well on packaging or signage where bold, slanted letterforms help convey motion and urgency. For best results, use at medium to large sizes to let the counters and curved forms breathe.
The overall tone is assertive and fast-moving, with a sporty, contemporary feel. Its pronounced slant and dense weight suggest momentum and impact, making the font feel energetic, confident, and attention-grabbing rather than delicate or formal.
The design appears aimed at delivering a high-impact, forward-leaning sans for display typography, prioritizing strong silhouettes, quick recognition, and a sense of motion. Its simplified geometry and sturdy joins suggest a focus on contemporary branding and promotional settings where clarity and attitude are equally important.
The set emphasizes strong silhouettes and consistent curvature, producing a cohesive texture in words. The italic angle is prominent and consistent across uppercase, lowercase, and figures, helping create a unified, dynamic line. Spacing appears tuned for headline use, where the heavy shapes can sit tightly without losing their internal clarity.