Font Hero

Free for Commercial Use

Sans Faceted Befu 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gimbal Grotesque' by AVP, 'Dexa Pro' by Artegra, 'Miura' by DSType, 'Neusa Neu' by Inhouse Type, 'Antry Sans' by Mans Greback, and 'Etelka' by Storm Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, event promos, playful, bold, chunky, retro, cartoonish, attention grab, stylized display, quirky branding, retro feel, angular, faceted, blocky, knotty, irregular.


Free for commercial use
Customize the font name

A heavy, all-caps-forward display sans with sharply cut, planar facets that replace smooth curves. Strokes are thick and largely uniform, with crisp corners, wedge-like terminals, and subtly irregular joins that create a hand-cut, chiseled rhythm. Counters tend to be compact and polygonal (notably in O/Q/8/9), and several letters show tapered notches and slight asymmetries that keep the texture lively. Lowercase forms are sturdy and simplified, with squat bowls, short extenders, and a compact, emphatic silhouette that reads as deliberately chunky rather than geometric.

Best suited for headlines, posters, packaging, and branding where a loud, distinctive voice is needed. It works especially well in short phrases, titles, and logo-like lockups where the faceted silhouettes can be appreciated. For longer passages, it is likely most comfortable at larger sizes with ample leading.

The overall tone is energetic and mischievous, with a comic, poster-ready punch. The faceted construction adds a rugged, cut-paper or carved-wood feel that can read as quirky and slightly anarchic, while the dense weight keeps it assertive and attention-grabbing.

This design appears intended to deliver maximum impact through chunky massing and a faceted, cut-in construction that gives the face a crafted, stylized personality. The consistent angular language across caps, lowercase, and numerals suggests a focus on cohesive display typography that remains readable while emphasizing character.

Spacing in the sample text looks generous enough to preserve internal shapes at large sizes, while the dense counters suggest it will feel darker as sizes drop. Numerals match the letterforms’ angular logic, with strongly stylized shapes and pronounced facets that reinforce the display character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸