Sans Normal Bubed 13 is a regular weight, normal width, monoline, upright, tall x-height font visually similar to 'FF Infra' by FontFont, 'Urania' by Hoftype, 'A Grotesk' by Roman Cernohous Typotime, and 'Crique Grotesk' by Stawix (names referenced only for comparison).
Keywords: ui text, branding, headlines, body text, wayfinding, modern, neutral, clean, friendly, technical, versatility, clarity, contemporary tone, system consistency, geometric, rounded, open apertures, even rhythm, crisp terminals.
A clean geometric sans with smooth circular bowls and consistent, even stroke modulation. Uppercase forms are built from simple, confident geometry, while lowercase maintains a tall x-height and straightforward construction for strong readability. Curves are round and open, with clear apertures on letters like c, e, and s, and terminals that finish crisply without flaring or serif-like details. Numerals follow the same restrained logic, with rounded figures and clear differentiation between shapes.
Works well for user interfaces, product branding, and editorial typography where a clear, contemporary sans is needed. Its tall lowercase presence and open forms support comfortable on-screen reading at small to medium sizes, while the geometric uppercase and numerals hold up cleanly for headlines, labels, and wayfinding-style applications.
The overall tone is modern and neutral, balancing a slightly friendly roundness with a precise, no-nonsense finish. It feels contemporary and functional rather than expressive, lending a calm, matter-of-fact voice suitable for interface and brand systems that need clarity.
Likely designed as a versatile, general-purpose geometric sans that prioritizes clarity and consistency across mixed case and numerals. The intention appears to be an unobtrusive workhorse with a modern voice, suited to both display accents and sustained text.
The spacing and rhythm appear even and controlled, giving paragraphs a stable texture. Round characters (o, c, e) read particularly smooth and consistent, while diagonals (v, w, y) keep a clean, engineered feel that supports signage-like clarity.