Sans Faceted Epde 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun and 'Eloque' by Prestigetype Studio (names referenced only for comparison).
Keywords: posters, headlines, signage, logos, packaging, industrial, techno, stencil-like, rugged, assertive, display impact, industrial feel, fabricated look, signage clarity, blocky, angular, faceted, notched, modular.
A heavy, all-caps-forward sans with chunky geometry and a faceted, cut-paper construction. Strokes end in angled planes and small notches rather than smooth terminals, creating a chiseled silhouette even where counters are rounded. The weight is dense and consistent, with compact apertures and tightly enclosed counters that emphasize mass over openness. Uppercase forms are broad and steady, while lowercase keeps simple, single-storey shapes (notably a and g) with sturdy stems and minimal curvature. Numerals follow the same block-first logic with strong verticals and blunt diagonals.
Best suited to display roles where its carved facets and dense weight can be appreciated: posters, bold editorial headlines, event graphics, brand marks, packaging, and attention-grabbing signage. It can also work for short UI labels or badges when set with ample size and spacing.
The overall tone feels mechanical and utilitarian—like lettering made from punched metal, vinyl cutouts, or industrial signage. The faceting and intentional imperfections add a gritty, DIY edge that reads energetic and slightly aggressive, with a techno/warehouse character rather than a polished corporate voice.
The design appears intended to translate a bold sans skeleton into a fabricated, planar aesthetic—replacing curves with sharp facets and adding notched details to suggest cutting, stamping, or assembled forms. The aim is high-impact readability with a distinctive industrial/tech texture.
The notch-and-facet motif repeats across many glyphs (including bowls and joins), producing a cohesive “constructed” rhythm. Because counters are relatively tight at this weight, small sizes may lose interior detail, while larger settings highlight the distinctive cut angles.