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Free for Commercial Use

Sans Normal Jemid 10 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Seeker' by Asenbayu, 'Clonoid' by Dharma Type, 'Premis' by Fenotype, 'Muller Next' by Fontfabric, and 'Otoiwo Grotesk' by Pepper Type (names referenced only for comparison).

Keywords: sports branding, headlines, posters, packaging, app titles, sporty, dynamic, assertive, futuristic, playful, impact, motion, modernity, approachability, branding, rounded, slanted, chunky, smooth, compact apertures.


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A heavy, rounded sans with a pronounced forward slant and broad, oval counters. Strokes are uniformly thick with smooth, circular joins and softened corners, giving the design a cohesive, aerodynamic feel. Many letters show slightly tightened apertures and compact interior spaces, while forms like S, G, and 0 lean on near-elliptical geometry. The lowercase is large and sturdy with short extenders, and the numerals are wide, rounded, and strongly horizontal in overall silhouette.

Best suited for big, high-impact typography such as sports identities, event posters, product packaging, and punchy headlines. It can also work for short UI titles or splash screens where a bold, energetic voice is needed, but it is less ideal for long-form text due to its dense color and compact openings.

The overall tone is energetic and fast, with a sporty, motion-driven presence. Its inflated, rounded shapes add friendliness, while the aggressive slant and weight keep it bold and attention-seeking. The result feels contemporary and performance-oriented rather than neutral or bookish.

Likely designed to deliver maximum impact with a streamlined, speed-inflected look: a rounded, heavy sans that reads as modern and energetic while staying approachable. The wide, oval construction and consistent slant suggest an intention to evoke motion and performance in display applications.

The combination of broad proportions and dense stroke weight produces strong texture at display sizes, but the tighter apertures and heavy joins can visually close up in smaller settings or when tightly tracked. The italic angle is consistent across caps, lowercase, and figures, reinforcing a unified sense of forward movement.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸