Sans Superellipse Fedas 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Area' by Blaze Type, 'Gibstone' by Eko Bimantara, 'Neusa Neu' by Inhouse Type, 'Helsinki' by Ludwig Type, 'Otoiwo Grotesk' by Pepper Type, 'Nulato' by Stefan Stoychev, and 'Aksioma' by Zafara Studios (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, sporty, dynamic, modern, confident, energetic, impact, speed, clarity, modernity, approachability, oblique, rounded, geometric, compact, chunky.
A heavy, oblique sans with rounded, superellipse-like bowls and softly squared counters. Strokes are sturdy and largely uniform, with clean terminals and minimal modulation, creating a solid, compact texture. Proportions lean wide in round letters, while diagonals and angled joins emphasize forward motion; apertures are relatively tight and spacing reads efficient rather than airy. Numerals match the weight and slant, with simplified, highly legible forms that keep the same rounded-rectangle logic.
Best suited to headlines and short bursts of text where its weight and slant can carry emphasis—such as posters, branding marks, packaging callouts, and sports or lifestyle communications. It can also work for UI labels or navigation when a strong, energetic voice is needed and space is limited.
The slanted stance and dense, punchy shapes give the face a fast, assertive tone that feels contemporary and performance-minded. Its rounded geometry softens the impact just enough to stay approachable, balancing strength with a friendly, engineered smoothness.
The design appears intended to deliver a modern, high-impact italic voice with rounded geometric construction, prioritizing immediacy and readability over delicacy. Its tight apertures, sturdy strokes, and forward lean suggest a focus on attention-grabbing display typography with a streamlined, contemporary feel.
Curves tend to resolve into flattened arcs rather than perfect circles, reinforcing the superelliptical construction. The overall rhythm is consistent across caps, lowercase, and figures, producing a cohesive block of type that holds up well at display sizes.