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Free for Commercial Use

Sans Faceted Ufdo 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Mako' by Deltatype, 'Neusa Neu' by Inhouse Type, 'Britva' by Juraj Chrastina, 'Penney' by Maulana Creative, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: posters, headlines, sports branding, signage, packaging, industrial, athletic, assertive, utilitarian, retro, space saving, high impact, machined look, display clarity, chamfered, blocky, condensed, angular, stenciled.


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A heavy, condensed sans with planar, chamfered corners that substitute for curves, producing a crisp faceted silhouette throughout. Strokes are monolinear with squared terminals and consistent weight, creating dense, compact counters and a tight, vertical rhythm. Uppercase forms read like block signage with clipped corners, while the lowercase keeps simple constructions and sturdy proportions; figures follow the same squared-off geometry with clear, poster-friendly shapes.

Best suited to short, high-impact settings such as posters, headlines, sports or team-style branding, labels, and bold signage where its compact width and strong color can carry from a distance. It can also work for punchy UI banners or section headers when used sparingly and given adequate tracking.

The overall tone is tough and functional, with an athletic, workmanlike attitude. Its faceted edges add a mechanical, cut-metal flavor that feels both retro and utilitarian, projecting confidence and impact rather than softness or warmth.

The font appears designed to deliver maximum impact in limited horizontal space, using a consistent faceted construction to evoke cut, machined, or stamped letterforms. The emphasis is on clarity and toughness—optimized for display typography that needs to feel direct, sturdy, and graphic.

The design relies on repeated chamfers at outer corners and in some internal joins, which helps maintain consistency across letters and numerals. Because the forms are compact and dark, spacing and line breaks become important to avoid a solid texture in dense settings.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
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8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸