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Free for Commercial Use

Sans Normal Pubeh 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Fuller Sans DT' by DTP Types; 'News Gothic No. 2', 'Trade Gothic Next', and 'Trade Gothic Next Soft Rounded' by Linotype; 'PG Gothique' by Paulo Goode; 'Plymouth Serial' by SoftMaker; and 'TS Franklin Gothic' and 'TS Plymouth' by TypeShop Collection (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, logos, friendly, playful, approachable, bold, chunky, attention, approachability, display, impact, rounded, soft corners, compact, bouncy, high impact.


Free for commercial use
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A heavy, rounded sans with compact proportions and softened corners throughout. Strokes are consistently thick with minimal contrast, producing sturdy letterforms and smooth, bulb-like curves. Counters are relatively small and apertures tend to be tight, giving the type a dense, punchy texture. Terminals are rounded or blunt, and diagonals (notably in V/W/X/Y) keep a gently curved, cushioned feel rather than sharp, razor-like cuts.

Best suited for short, high-impact settings such as headlines, brand marks, packaging callouts, and poster typography where a friendly, rounded bold voice is desired. It also works well for product names, kids or lifestyle branding, and promotional copy that benefits from a soft, approachable tone. For extended passages, it will typically perform better at larger sizes with comfortable line spacing.

The overall tone is warm and personable, with a toy-like softness that reads as upbeat rather than severe. Its weight and rounded construction create an inviting, energetic presence that feels casual and contemporary. The rhythm is bouncy and friendly, making it well-suited to cheerful, attention-getting messaging.

The design appears aimed at delivering maximum presence with a soft, non-aggressive character. By pairing very heavy strokes with rounded geometry and compact counters, it prioritizes bold visibility and a welcoming personality for display-oriented typography.

Uppercase forms appear especially blocky and stable, while lowercase shapes keep a simple, single-storey feel in places (e.g., a/g-like constructions) that reinforces informality. Numerals are bold and rounded with clear silhouettes, prioritizing impact over fine detail. In longer text, the dense color and tight openings can make the texture feel heavy, so spacing and size choices will strongly influence readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸