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Serif Other Emba 1 is a regular weight, wide, low contrast, upright, normal x-height font.

Keywords: headlines, posters, magazine, branding, packaging, dramatic, editorial, stylish, theatrical, enigmatic, display impact, brand voice, decorative serif, signature texture, editorial flair, wedge serif, stencil-like, high-ink, sharp, sculpted.


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A sculpted serif design with pronounced wedge-like terminals and frequent triangular notches that create a stencil-like, cut-paper impression. Strokes are generally sturdy and even, with curvature shaped into crisp, blade-like transitions rather than smooth swelling. Counters often feel partially “bitten” or segmented (notably in rounds like O/Q and letters with bowls), producing striking negative spaces and a distinctive rhythm. Uppercase forms are broad and commanding, while lowercase maintains a compact, sturdy structure with clear serifs and occasional angular incisions on joins and terminals. Numerals echo the same carved details, giving figures a bold, decorative presence.

Best suited to headlines, mastheads, and short display copy where its sculpted details can be appreciated. It can work well for branding systems that want a distinctive serif voice—luxury, arts, fashion, or boutique packaging—especially when set large with generous spacing.

The overall tone is bold and theatrical—more fashion and poster than quiet bookishness. The carved apertures and sharp terminal cuts lend an enigmatic, slightly art-deco-meets-stencil character that feels premium and attention-seeking. It reads as confident and curated, with a dramatic interplay of black shape and negative space.

The font appears designed to reinterpret a classic serif framework with carved, stencil-like voids and wedge terminals, prioritizing recognizable, decorative silhouettes over conventional text neutrality. Its construction suggests an intention to create instant identity in display typography while retaining a disciplined serif structure.

The design’s signature cut-ins can reduce interior clarity at smaller sizes, but they produce strong texture and recognizable silhouettes in display settings. The ampersand and punctuation in the sample text match the same carved, high-contrast-in-spirit (through shape rather than stroke modulation) aesthetic, helping headlines feel cohesive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸