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Free for Commercial Use

Serif Normal Robak 10 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Ausgen' by Andfonts, 'CF Mod Grotesk' by Fonts.GR, 'Neue Haas Grotesk Text' by Linotype, 'Helvetica Now' by Monotype, 'Crique Grotesk' by Stawix, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, editorial, book covers, branding, confident, traditional, formal, authoritative, impact, authority, readability, heritage, bracketed, sturdy, weighty, compact, ball terminals.


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A robust serif with heavy, even stroke weight and compact internal spaces. Serifs are clearly bracketed and slightly flared, giving a sturdy, old-style construction while keeping an overall upright, controlled posture. The capitals are broad and commanding, with rounded bowls and strong horizontals; curves stay smooth and full rather than sharp. Lowercase forms are compact with a rounded, substantial texture; the a and g are double-storey, and the i/j use round dots. Numerals are similarly weighty and open, designed to hold their shape at display sizes.

This face is well suited to headlines, subheads, and other short-to-medium text where a strong typographic voice is needed. It can work effectively for editorial layouts, book or magazine covers, and brand wordmarks that benefit from a traditional serif authority, especially at larger sizes where the bracketed serifs and rounded forms read cleanly.

The overall tone is assertive and conventional, projecting an editorial seriousness with a classic, bookish feel. Its dense color and pronounced serifs convey authority and stability, making it read as dependable and traditional rather than delicate or experimental.

The design appears aimed at delivering a classic serif voice with maximum impact, combining traditional bracketed serifs with heavy weight to create strong, legible shapes for display-oriented typography. It prioritizes solidity and recognizability, offering a familiar editorial character with heightened presence.

The heavy weight produces tight counters in letters like e, a, s, and 8, which strengthens impact but can reduce openness at smaller sizes. The design favors strong silhouettes and consistent rhythm, with clear differentiation between uppercase and lowercase structures and a deliberate, print-forward presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸