Sans Superellipse Abduf 3 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Gimbal Grotesque' by AVP, 'Neuron Angled' by Corradine Fonts, 'FF Clan' by FontFont, 'Moveo Sans' by Green Type, 'Plantago' by Schriftlabor, 'Robusta' by Tilde, and 'Alber New' by moretype (names referenced only for comparison).
Keywords: ui text, product branding, wayfinding, packaging, headlines, modern, friendly, utilitarian, clean, techy, clarity, approachability, geometric system, brand versatility, rounded, blunt terminals, compact curves, soft geometry, open counters.
A geometric sans with softly squared, superellipse-driven curves and consistently blunt terminals. Strokes stay even, producing a steady rhythm with minimal modulation, while counters are generally open and the joins read clean and engineered. Uppercase forms feel sturdy and slightly compact in their internal spaces, while the lowercase shows a tall, prominent x-height with straightforward, single-storey-style simplicity in many shapes. Numerals are clear and robust, matching the same rounded-rectangle logic and maintaining solid color in text.
It suits interface and product contexts where a clean, modern sans is needed with a softer edge—navigation labels, dashboards, and app typography. The strong x-height and sturdy forms also make it effective for branding, packaging, and bold editorial headlines where a friendly geometric voice is desired.
The tone is contemporary and approachable, balancing a pragmatic, UI-like clarity with gentle rounding that keeps it from feeling cold. It suggests a tech-forward, organized voice—confident and efficient—without becoming overly rigid.
Likely designed to deliver contemporary geometric clarity while introducing superellipse rounding to improve warmth and legibility. The goal appears to be a dependable all-purpose sans that feels modern and systematic, yet approachable in both display and short text settings.
The superelliptical construction is especially apparent in rounded letters like C, G, O, Q, and in the bowls of b, p, and d, where corners feel subtly squared rather than purely circular. Spacing appears even and workmanlike, supporting smooth word shapes in the sample text.